|
Merzbow |
|
Tauromachine (1998) |
|
|
Noise |
- |
0 |
|
Snow Patrol |
|
Songs for Polarbears (1998) |
|
|
Indie Rock, Alternative Rock, Lo-Fi Indie, Post-Grunge, Noise Pop, Shoegaze |
- |
0 |
|
The Locust |
|
The Locust (1998) |
|
|
Noisecore Grindcore, Mathcore, Synth Punk |
- |
0 |
|
Blonde Redhead |
|
In an Expression of the Inexpressible (1998) |
|
|
Noise Rock, Indie Rock, Experimental Rock, Art Rock |
- |
0 |
|
Bastard Noise |
|
If It Be Not True (1998) |
|
|
Noise, Power Electronics |
- |
0 |
|
Boredoms |
|
Super Roots 7 (1998) [EP] |
|
|
Experimental Rock, Neo-Psychedelia, Noise Rock |
- |
0 |
|
Man Is the Bastard: Bastard Noise |
|
Bastard Noise Hails the Finnish Sound Masters / the Symptoms of a Failing Equilibrium (1999) |
|
|
Powerviolence, Power Electronics, Noisecore |
- |
0 |
|
Senseless Apocalypse |
|
Senseless Stereotyped Idea (1999) |
|
|
Grindcore, Noisecore |
- |
0 |
|
Lightning Bolt |
|
Lightning Bolt (1999) [Live] |
|
|
Noise Rock, Math Rock |
- |
0 |
|
Atari Teenage Riot |
|
60 Second Wipe Out (1999) |
|
|
Digital Hardcore, Noise, Breakcore |
- |
0 |
|
Melvins |
|
The Maggot (1999) |
|
|
Sludge Metal, Alternative Noise Rock |
- |
0 |
|
Merzbow |
|
Door Open at 8 AM (1999) |
|
|
Noise, Harsh Noise |
- |
0 |
|
Today Is the Day |
|
In the Eyes of God (1999) |
|
|
Noisecore, Sludge Metal, Post-Hardcore, Grindcore, Noise Rock |
- |
0 |
|
Bastard Noise |
|
The R.A. Sessions (2000) [EP] |
|
|
Noise, Power Electronics |
- |
0 |
|
Man Is the Bastard |
|
Mancruel (2000) [Compilation] |
|
|
Powerviolence, Sludge Metal, Noise |
- |
0 |
|
Bastard Noise |
|
The Analysis of Self-Destruction (2000) |
|
|
Noise, Power Electronics |
- |
0 |
|
The Jesus Lizard |
|
Bang (2000) [Compilation] |
|
|
Noise Rock, Post-Hardcore |
- |
0 |
|
PRMLSCRM |
|
XTRMNTR (2000) |
|
|
Alternative Dance, Electronic, Big Beat, Electro-Industrial, Noise Rock, Neo-Psychedelia |
85 |
1 |
|
Sonic Youth |
|
NYC Ghosts & Flowers (2000) |
|
|
Noise Rock, Experimental Rock, Post-Rock |
- |
0 |
|
Atari Teenage Riot |
|
Live at Brixton Academy 1999 (2000) [Live] |
|
|
Harsh Noise, Noise |
- |
0 |
|
Avey Tare / Panda Bear |
|
Spirit They're Gone Spirit They've Vanished (2000) |
|
|
Neo-Psychedelia, Noise Pop Electronic, Noise, Folktronica |
- |
0 |
|
Shellac |
|
1000 Hurts (2000) |
|
|
Noise Rock, Math Rock, Post-Hardcore |
- |
0 |
|
Kim Gordon / Ikue Mori / DJ Olive |
|
SYR 5 (2000) |
|
|
Free Improvisation, Electroacoustic, EAI, Noise, Experimental Rock, Drone, Neo-Psychedelia, Industrial |
- |
0 |
|
Today Is the Day |
|
Live Till You Die (2000) [Compilation] |
|
|
Noisecore, Sludge Metal, Noise Rock |
- |
0 |
|
Primal Scream |
|
Accelerator (2000) [Single] |
|
|
Noise Pop, Noise Rock, Industrial Rock, Electro-Industrial, Punk Rock |
- |
0 |
|
Boredoms |
|
Rebore Vol. 2 (2000) |
|
|
Electronic, Noise Rock, Neo-Psychedelia, Experimental Rock |
- |
0 |
|
Man Is the Bastard: Bastard Noise |
|
Selected Pathways to Undisclosed Planets: Live (2000) [Live] |
|
|
Noise, Experimental, Sound Collage, Harsh Noise |
- |
0 |
|
The Mark of Cain |
|
This Is This... (2001) |
|
|
Post-Hardcore, Noise Rock, Alternative Metal |
85 |
1 |
|
Unsane |
|
This Plan Australian Tour Single (2001) [Single] |
|
|
Noise Rock, Post-Hardcore |
- |
0 |
|
Bastard Noise |
|
RRRevenge (2001) |
|
|
Noise, Power Electronics |
- |
0 |